“逸品”精神的张扬——论中国绘画美学追求的历史转折

The Publicity and Commendation of the Spirit of "Graceful Grade" ——On a Historic Turn of Chinese Drawing in Aesthetic Pursuit

北宋时期的黄休复在《益州名画录》中第一次将“逸品”放在了神、妙、能三品之上 ,这标志着中国绘画艺术在美学追求上的一个历史转折。“逸”从历史上看首先是一种生活态度和精神境界 ,后成为知识分子生活的常态 ,因此对绘画乃至整个艺术产生了广泛的影响。以倪云林为代表的元代画家将逸品绘画推向了高峰。“逸品”的特征是“崇自然”和“尚简” 。

During the Northern Song Dynasty(960-1127),Huang Xiu fu first put'graceful grade'over the three grades of 'sublime\, fine and skilful works of art'in 《The Famous Drawings Copy in Yizhou City》,which marked a historic turn of Chinese drawing art in aesthetic pursuit.Historically,'grace'meant a kind of attitude to life and mental state at first,and then became the normality of the intellectuals'life.Therefore,it has had a widespread influence on drawing and even on all art.The artists of Yuan Dynasty represented by Ni Yun lin propelled the drawing of graceful grade forward to the higher level.Graceful work of art is characterized by 'esteeming the nature' and 'advocating a pithy style'.The stress of this formal factor just evolved a meaningful form in drawing.