摘要
本文以甘肃省的炳灵寺石窟为例,通过研究岩彩颜料在古代敷彩造像色彩中的艺术表现,一方面使得岩彩颜料技法得以良好的传承与延续;另一方面,还可以对古代不同时期的敷彩造像有一个较为全面的了解,对作为我国古代文化遗产一部分的敷彩造像进行应有的梳理与记录,以期这些伟大的古代艺术创作在今天仍能给予我们以美的享受和艺术创作上的巨大启迪。并且笔者希望它们能够在相关的学术领域起到些许的价值。
This paper takes Bing Ling templegrotto in Gansu provinceas an example,through the study about the artistic methods of rock color pigments in the ancient color statues,on the one hand,to inherit the rock color pigments skillsin a better way; on the other hand,completely,to let people to understand the styles of color statues in different periods in China.This article aims to make a complete record of the color statues,which can be regarded as a part of ancient cultural heritages in China,and to manifest the vaule of color statues,people can enjoy the beauty of them and achieve the great inspiration in terms of artistic creation,and the author of this article also hopes that these statues can achieve some vaules in the relevant academic area.
出处
《雕塑》
2014年第3期52-53,共2页
Sculpture
基金
甘肃省高等学校科研项目资助
项目号:2013B-052
关键词
炳灵寺石窟
岩彩颜料
敷彩造像
Bing Ling temple grotto
Rock Color Pigments
Color Statues