中国独立纪录片的本土“中间人”与“关键人”

The Native "Intermediaries" and "Key Men" of Independent Documentary in China

本文描述了中国独立纪录片生态环境的一个面相,即联接独立作品和观众之间的"中间人"的分类和其成长,以及"中间人"在发展过程中逐渐转变成"关键人"的状况;并利用布迪厄的"场域"理论,阐释和反思"关键人"所面临的权力和资本的问题。

This paper depicts one phenomenon in the ecological environment of the independent documentary in China,that is,the classification and growth of the ＂ intermediaries＂ between independent documentaries and audience and their transition from ＂ intermediaries＂ to ＂ key men＂. It also adopts Bourdieu＇s theory of ＂ field＂ to interpret and reflect the problems of power and capital that ＂ key men＂ face.