《日本灵异记》对中国文学的接受研究——以儒学典故“孟尝七善”考释为例

On the Acceptance of Chinese Literature in Nihon Ryolkl——Based on an Interpretation of the Confucian Allusion“Meng Chang Qi Shan”

日本文学史上第一部佛教说话集《日本灵异记》在编撰的过程中,不仅袭取了中国佛教文学,而且对中国的儒学典故也加以了利用,并通过比附的手法,将儒学典故这一文学元素改造成为佛教的内容,为宣扬佛教教义服务。文章以"孟尝七善"这一典故的出典及其使用意义为考察对象,揭示《日本灵异记》对中国文学的接受情况。

As the first collection of Buddhism stories in its literature history of Japan,Nihon Ryoiki not only absorbs some elements of Buddhist literature but also cites some Confucius allusions of China.Some Confucius allusions are altered into Buddhist stories by using＂Bi Fu＂to spread Buddhism doctrines.By taking the Confucian allusion＂Meng Chang Qi Shan＂and the significance of choosing this allusion as examples,this paper mainly attempts to do some research on the acceptance of Chinese literature in Nihon Ryoiki.