摘要
新历史主义的兴趣在于检查和描述殖民话语的权力系统。在奥斯卡最佳影片《逃离德黑兰》中,美国文化帝国主义权力关系体现在再现的话语之中。通过对话语权的运用,影片一方面对伊朗进行"妖魔化"的再现,另一方面宣扬美国的核心价值观,展现了权力话语的结构和运作。毫无疑问,此片是美国意识形态输出的又一成功之作。
New historicism focuses on the examinations and description of the power system of colonial discourse. In Argo, winner of Oscar' s Best picture, this power is reflected in the represented discourse. Through the utility of the discourse, the film, on the one hand, represents the evil of Iran, and on the other hand, carry the American values forward. Undoubtedly, this film is another successful output of American ideology.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2014年第4期110-112,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
江苏省高校哲学社会科学基金项目(2013SJB750025)