论中国戏曲“大团圆”与作品悲剧性之关系

On the Relationship between “Big Happy Reunion” of Chinese Ancient Opera and the Tragic Nature of Literary Works

中国古代戏曲独具特色的"大团圆"结局,与作品的悲剧性之间具何种关系,其对作品的悲剧性具有什么样的影响。这个问题,目前在学术界还是悬而未决,并需要深入辨析探讨的。文章对此问题的浅析主要从两个方面展开:一是"大团圆"背后的悲剧性;二是"大团圆"背后的反悲剧性。认为符合艺术逻辑的大团圆结局会增强带有悲剧内容作品的悲剧性,而不顾现实和艺术的客观事实和逻辑的大团圆结局,会损害带有悲剧内容作品的悲剧内涵,甚至完全毁掉作品的艺术价值。

What is the relationship between the ＂Big Happy Reunion＂ of Chinese ancient opera and tragic of literary works？ What influence the former can cast on the latter？ These questions are still academically controversial yet to be discussed.The article can be divided into two parts：the first part is ＂Big Happy Reunion＂ strengthens the tragic connotation; the second part is ＂Big Happy Reunion＂ weakens and damages tragic implication.This paper discusses them from two aspects：there is a tragic nature behind the ＂Big Happy Reunion＂ of Chinese ancient opera; and there is an anti-tragic nature behind the ＂Big Happy Reunion＂ of Chinese ancient opera.Those ＂Big Happy Reunions＂ complying with the artistic logics will increase the tragic nature of some tragic works while those ＂Big Happy Reunions＂ that go against the objective reality and logics will hurt the tragic connotations,even can utterly destroy the artistry of literary works.