《再生缘》中的时间经验与文体特征

Time Experience and Generic Characterizations in Zaisheng Yuan

《再生缘》表达了一种时间关怀,它不仅以诗意的方式记录了作者的生命历程和内在自我的时间之流,也为作者提供了一个进入想像空间的契机,对抗时光的侵蚀。《再生缘》呈现给我们一个动态的、开放性的过程,丰富地展现和塑造了女主人公的心理、自我的成长和发展,表现出一种独特的时间经验。弹词的体例特征使之兼具戏曲、小说之长,其边缘地位也使女作家可以创造性地发挥弹词文体的能动性,述说独特而复杂的女性经验和困境。同时,《再生缘》对女性自我的思考和呈现也反映了更广泛的明清社会文化的语境,即对时间、自我和欲望等问题的探求。

Zaisheng Yuan is concerned with the theme of time through the records of the woman author＇ s life experience and time perception of her inner self, as well as the entrance into an imaginary space to resist the control of time. The work presents us with a dynamic, open - end process, thereby depicting and fashioning the heroine＇ s psychology, self - development, and time experience. Tanci combines the generic characterizations both of the drama and of the novel, and its marginal status as a genre makes it possible for the woman author to explore the agency of this genre, to express women＇ s unique and complex experience and dilemma. At the same time, the representation of female personhood in Zaisheng Yuan also reflects a larger cultural environment in the Ming - Qing period, pervaded by a questioning and new awareness of self and desire in the social matrix.