摘要
莫里森在《家》中把小说的叙事声音分成主人公的叙述声音和作者的叙述声音,让主人公走出作品,对失真情节进行批评和修正;同时利用蝶形环状叙事结构建构起4个相互依存的叙事空间。莫里森所采用的叙述声音、叙事结构以及悬念和伏笔的叙事策略继承和发展了黑人传统文化中的"呼唤与回应"模式,有助于促进当代黑人小说审美接受模型的转换及其审美效应的嬗变。
Toni Morrison divides the fictional narrative voices into the protagonist's narrative voice and the author's narrative voice,letting the protagonist go out of the work,inveigh against and revise the distorted plots. The 'butterflycontour'narrative structure of the novel consists of four interdependent artistic spaces. The narrative voices,narrative structure,suspense and foreshadowing used by Morrison here inherit and develop the'call and response'pattern of traditional African American culture,facilitating the transformation of the aesthetic acceptance modality of modern black fiction and its gradual change of aesthetic effects.
出处
《解放军外国语学院学报》
CSSCI
北大核心
2014年第4期143-150,160,共8页
Journal of PLA University of Foreign Languages
基金
国家社会科学基金后期资助项目"非裔美国文学史(1619-2010)"(12FWW002)
