摘要
文章以侯方域为切入点,重在探讨侯方域的悲剧性,主要表现在:首先,由于主、客观因素,导致政治压倒了爱情,所以整出戏便是一出个人的爱情悲剧;其次,侯方域在正反面人物的夹缝中生存,无法求得自己庙堂上的出路,以致政治理想难以实现,造成了侯方域个人的庙堂悲剧;再次,侯方域在经历了爱情、庙堂理想的陷落之后,只能以入道寻求精神解脱,更是一出个人的人生悲剧。
The paper takes Hou Fangyu as a breakthrough point focusing on his tragedies,which is primarily reflected on the following: first of all, the entire drama depicts a personal love tragedy of an individual, conceded to politics due to subjective and objective factors; secondly, Hou Fangyu lived amongst both positive and villainous characters and it appeared impossible to realize his political ambition leading to personal court career tragedy; thirdly, after the failing love and political career in life, eventually he could only concerted himself into Taoism for mental extrication.
出处
《临沧师范高等专科学校学报》
2014年第2期62-65,69,共5页
Journal of Lincang Education College
关键词
《桃花扇》
侯方域
悲剧性
the Peach Blossom Fan
Hou Fangyu
tragedy