摘要
以IT技术和CG技术为核心的数字媒介极大推动了戏剧产业的发展,也逐渐成为戏剧生产和消费的全新推动器。本文将从景观社会症候分析的角度出发,以2012年爱丁堡国际艺术节的三部代表戏剧《瓦特》、《等待俄瑞斯忒斯:伊拉克特拉》和《2008:麦克白》的演出为例,讨论技术所带来的变革与戏剧本体、戏剧表演、剧场空间之间的关系,即影像与戏剧的关系。
The arrival of the age of digital media has had a profound influence on theatre industry. with IT technology and CG technology as the core It promotes the development of theatre production and consumption. This paper starts with a symptomatic reading of the society of spectacle, based on three dramas “Watt”,“Waiting for Orestes ：Electra”and “2008 ：Macbeth” in 2012 Edinburgh International Festival as an example to discuss the relation between technological revolution and theatre, theatrical performances, theatre space, that is the relationship between image and theatre.
出处
《浙江工业大学学报（社会科学版）》
2014年第2期143-147,共5页
Journal of Zhejiang University of Technology：Social Sciences
关键词
数字媒介
景观社会
影像
症候
戏剧
digital media age
society of spectacle
image
symptomatic
theatre
