“鬼怪故事”——中西鬼魂文化的交融《暮光之城》系列与《聊斋志异》的互文性

“The Ghost Stories”——The Integration of Ghost Culture between the Chinese and the West The Intertextuality of “Twilight” Series and “Strange Tales from Liaozhai”

斯蒂芬妮·梅尔书写的小说《暮光之城》系列,自问世以来连续创下了出版佳绩,并赢得评论界及读者的广泛关注。国内外学者从不同角度进行研究,如:女性主义、读者反应、主题研究和原型批评等。此外,也有学者从互文性的角度讲将《暮光之城》系列与《呼啸山庄》进行研究,得出结论:前者充分参考并引用了后者,从而使《暮》系列与《呼啸山庄》跨越时空的限制,实现了多视角,多视觉的互文性。但是《暮》系列与中国蒲松龄的小说《聊斋志异》也存在着互文性。两部作品都是通过鬼怪传奇直击人心,代表社会、人性的反射。因此,文章通过文本细读,深入挖掘《暮》系列小说与《聊斋志异》之间的互文性,进而了解中西鬼魂文化的交融。

The novels ＂Twilight＂ series written by Stephanie Meyer achieve great success and won the wide attention of critics and readers, since it is published. Domestic and foreign scholars have carried on research from different angles, such as： feminism, readers response, subject research, prototype criticism. In addition, some scholars do some research on ＂Twilight＂ series and ＂Wuthering Heights＂ from the perspective of intertextuality and draw the conclusion： the former fully influences the latter, so that the ＂Twilight＂ series and ＂Wuthering Heights＂ across time and space constraints, have achieved the perspective of intertextuality and multiple vision. But the ＂Twilight＂ series and Chinese novelist Pu Songling＇s novel ＂Strange Tales from Liaozhai＂ also exist intertextuality. Two works are the apparition legendry, which watch people, reflecting social, and human nature. Therefore, through intensive reading of the text, the ＂intertextuality＂ between the ＂Twilight＂ series and ＂Strange Tales from Liaozhai＂ were further analyzed, which help us further understand the blending of Chinese and Western ghost culture.