传统与现代的融合——洛带镇客家文化视域下的现代陶艺发展研究

Integration of the Traditional and the Modern: Development of Modern Ceramics against the Background of Hakka Culture in Luodai Town

现代陶艺既承继传统陶瓷文化又融和当代艺术理念,是艺术家以陶泥或瓷泥为主要创作媒材,试图摆脱单纯的物以致用性质,表现当代人的思维个性、情感、心理意识和审美观念的艺术形式。陶瓷元素独特材质特征与丰富的表现语言使得现代陶艺在与当代艺术的互文中既有自己的本体语言表达又有新的发展维度。本文首先梳理了现代陶艺的发展脉络,然后立足成都洛带镇的客家商业文化视阈,探讨在洛带镇的文化产业模式中的现代陶艺与当代艺术的融合。最后得出论题——洛带镇客家文化视域下的现代陶艺,可借鉴三宝国际陶艺村的成功模式,以当代艺术的表现形式来探求陶瓷自身的语言特征,寻求陶艺本体的艺术表达,达到现代陶艺与当代艺术叠加与商业融合的统一。

As a form of art, modern ceramics inherits the tradition of ceramic culture and merges the philosophy of modern art. The ceramic artists use polymer clay or petuntse as their material to vividly manifest the ideas, emotions, visions and esthetics of the modern people. The unique feature and abundant representation forms of ceramic materials endow modern ceramics with distinct language feature and new development dimension. This paper ifrstly introduces the development of modern ceramics, and, by focusing on Hakka commercial culture of Luodai Town, Chengdu City, discusses the integration of modern ceramics and contemporary art in the cultural industry of Luodai Town. It then concludes that against its background of Hakka culture, Luodai Town can follow the successful mode of Sanbao International Ceramic Art Village to seek the unique language features of the ceramic materials and pursue artistic expression of ceramics itself by means of modern art, thus achieving the overlapping of modern ceramics and contemporary art and the integration of modern ceramics and commercial culture.