《天净沙·秋思》中蒙太奇手法的分析

On the Method of Montage Applied in Tianjingsha·Qiusi

马致远的小令《天净沙·秋思》篇幅短小,意蕴深远,结构精巧。作者匠心独运地对蒙太奇艺术手法加以运用:以秋景萧瑟的形象元素,将多画面组合排列于与之适应的情境中,营造出超越画面具体内容的整体意境。巧妙地糅合了抒情、重复、对比、心理等诸种蒙太奇手法,抒发了中国文人墨客传统的羁旅、悲秋的情感体验,激发起读者对人生的心灵感悟。多种蒙太奇手法的运用,创造出画面组合的集约效应,将羁旅他乡的游子内心那种无限凄凉、悲苦、孤独、寂寞的情感发挥到了极致。

Although Tianjingsha · Qiusi which is written by Ma Zhiyuan is not long, the meaning and structure of this short lyric are fabulous. The writer chose desolate factors and combined them with the corresponding situation to make the artistic conception which surpassed the actual pictures. The specialties of this short lyric are the utilization of montage, a famous artistic expression, and numerous pictures. This short lyric has combined various kinds of montage, such as lyrical montage, repetitive montage, comparative montage and psychological montage. The short lyric chose the frequently used autumn scenarios to stimulate the emotion experience shared by nearly all the readers. The utilization of various kinds of montage created the collective effect of pictures. Various montage means expounded the outsiders＇ feeling of being desolate, miserable and lonely as well.