摘要
生活在元代后期的清丽派散曲代表作家张可久,在儒、道两种思想的矛盾中苦苦求索。一方面,他坚守传统文人建功立业的理想抱负,并积极奔走于仕途之路;另一方面,元代的现实条件又无法给汉族知识分子以实现理想的机会,一度看破名利,想要归隐,但终究未能做到。在现实与理想分离的情况下,他徘徊于仕与隐之间,无法为自己找到真正的出路,从中我们可以窥探到张可久人生悲剧的根源。他将一生悲情都凝聚在散曲中,形成了其散曲伤感的风格。
Zhang Kejiu, a representative writer of San Qu of the Qingli School, lived in the late Yuan Dynasty and struggled to search under the contradiction of Confucianism and Taoism. On the one hand, he stuck to traditional literati's ambitions on contributions and actively campaigned in official career path ; on the other hand, the realistic condition of Yuan Dynasty couldn't give the intellectuals of Han nationality any opportunity to achieve their ideal. He saw through the fame and wealth and wanted to retreat, but failed ultimately. In the case of reality and ideal separation, he hovered between officialdom and reclusion, failed to find out the real way, from which the root of tragedy in his life can be found. He put his lifetime sadness into the San Qu, which then led to his own style of sadness in his San Qu.
出处
《合肥学院学报(社会科学版)》
2014年第4期80-83,共4页
Journal of Hefei University:Social Sciences
关键词
张可久
儒道思想
矛盾
悲剧
Zhang Kejiu
Confucianism and Taoism
contradiction
tragedy