艺术再现拉开农村改革序幕的历史瞬间——论张国琳版画《生死印》及其他

Artistic Representation Revealing Historic Moment of Rural Reform Prelude: On Zhang Guolin's Print Fingerprint of Life and Death

宁波美术馆典藏的版画《生死印》,充分表现了画家张国琳和他的同伴们以艺术家的勇气,创作了以小岗村农民在联产承包责任书上盖手印的瞬间为题材的版画作品,充分说明他们深刻地意识到这一事件所蕴涵着的巨大而又深远的历史意义,这既是艺术家应该承担的一种历史使命的真实表现,也是作者崇高的精神境界和精深的审美观念的具体反映。这一不可多得的经典之作所蕴涵的社会作用和美学意义,在全面深化改革的今天具有更为重要的历史价值。

Mr. Zhang Guolin, a well-known print artist from Anhui, after years of diligently learning and practicing arts, has contributed a large number of great works in oil painting, traditional Chinese painting and print. His p represents the courage of rint Fingerprint of Life and Death, collected by Ningbo Art Gallery, fully Zhang Guolin and his groups. This print work displays the moment that peasants from Xiaogang village pressed their fingers on the liability statements of contracted responsibility linking remuneration to output. This work proves that the artists realized the significant and profound historical meanings of this event, which is not only the manifestation of the historical mission artists should bear, but also the representation of artists＇ noble spirit and profound esthetic sentiment. The realistic and historical significance and the great esthetic values represented by this rare classic work is shining more brightly on the day commemorating the 35 years of the Third Plenary Session of the 11 th Central Committee of the Chinese Communist Party.