五代董源山水画简论(上篇)

Brief Introduction on Dong Yuan's Landscape Paintings in Five Dynasties(Part One)

董源是中国山水画史上最为著名、最具影响的画家。他在山水画上有多方面的成就:一类是从六朝以来传到李思训而集大成的缜密工致的着色山水,一类是有王维笔法精密细润的水墨山水,还有一类是奇峭雄伟、斩绝峥嵘的唐代山水风格。董源的山水画风在继承唐代模式的基础上,融入自己对南方山水细腻柔和的领会,创造出既有北方的奇峭雄伟,又有南方的清新秀丽的山水画新风。目前,关于董源现存作品的真伪,在学术界受到极大挑战。其中,本文提到的《溪岸图》,构图布局不符合五代至北宋山水画的时代特征和风貌,笔墨意境不符合董源山水画的创作风格和技法,绘画理念与董源相比差距甚远,因而不是董源真迹。

There are three types of Chinese landscape painting：the first is emphasizing the color,the second is paying attention to ink and water and the third focuses on precipitous and magnificent of mountains and rivers.Dong Yuan,as the most famous and influential painter in the history of landscape painting in China,has made a great achievements in landscape painting.In his painting,we can see not only the image of magnificent mountains from southern China,but also the full,delicate image that belongs to south region of the Yangtze;we can not only see the majestic,precise and strong style of northern painters,but also the rich,dexterous,and gentle style of southern painters, which means he blends the northern and southern techniques of representation.At present,there is a great controversy on Dong Yuan’s existing paintings.The composition of the painting Streamside is not in line with the time characteristics;the artistic conception is not in conform with Dong Yuan’s style.Therefore,this paper claims that painting is not the authentic work of Dong Yuan.