摘要
闽派人物画是中国画区域流派的一个重要组成部分,它的渊源可以追溯到唐五代时期,至明代便有了"闽派"之称。它以自己独特的表现形式和审美品格存留史册,并对当代画坊产生影响。其发展概况是:唐、五代是闽派肇始时期,两宋、明代是闽派宗教人物画兴起时期,清代是闽派成熟时期。在中国绘画史上以曾鲸、上官周、黄慎、李霞、李耕等领袖群伦,光耀艺坛。
Figure painting of Min (literally meaning the painting by painters from Fujian Province), an important part of the regional school of Chinese painting, was originated from the Tang Dynasty, prospered from the Song Dynasty to the Ming Dynastyand took shape in the Ming Dynasty. It has been well-known for its own unique form and aesthetic character, and its great impacton the contemporary painting. Zeng Jing, Shanggnan Zhou, Hnang Shen, Li Xia, Li Geng were outstanding in Chinese painting history.
出处
《闽南师范大学学报(哲学社会科学版)》
2014年第2期17-22,共6页
Journal of Minnan Normal University:Philosophy and Social Sciences
关键词
闽派人物画
渊源
区域画风
题材
审美理想
figure painting of Min
origin
regional school
theme
aesthetic ideal