摘要
南朝画家宗炳的《画山水序》,其美学思想历来被认为是佛、道、玄融合的结果。从"观道"、"澄怀"、"味象"、"畅神"几个关键概念对其分析,认为宗炳的思想确实包含了佛、道、玄各家的思想,但具体文本应视乎其行文所持的立场来确定其倾向,在《画山水序》中,宗炳还是以玄学思想作为其根本。
The aesthetic ideology embodied in Zong Bing＇s Preface to the Landscape Painting has been said the integration of Buddhism, Taoism, and Metaphysics. Through working on the concepts such as ＂observing Tao＂, ＂purifying mind＂, ＂reflecting upon nature＂ and ＂setting free spirit＂ advanced in this book, this paper postulates that Zong Bing had greatly been influenced by Buddhism, Taoism, and Metaphysics; however, the overwhelming tone of his narration is of metaphysics.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2014年第4期156-160,2,共5页
Journal of Lanzhou University（Social Sciences）
基金
陕西省教育厅2013年科学研究计划人文社科专项项目(2013JK0460)
关键词
宗炳
《画山水序》
观道
畅神
Zong Bing
Preface to the Landscape Painting
observing Tao
setting free spirit
