土家族“哭嫁歌”中的怨女形象——以贵州沿河土家族哭嫁歌为例

Hatred of Female Image in Tujia Song of Crying Marriage——Take Tujia song of crying marriage in Yanhe Guizhou for instance

哭嫁歌是土家族婚配习俗中最具特色的部分,在历史的沉淀与融合中,哭嫁歌不断地发展演化,形成了别具风格的地方特色,传承延续至今,是千百年来土家族女性集体智慧的结晶。以贵州沿河土家族为例,分析在土家族哭嫁歌中塑造的充满怨愤的"怨女"形象,并对哭嫁歌中的"怨女"形象的成因进行分析,以此凸显土家族妇女的情感心路及其对美好婚姻的憧憬,能更好地继承和挖掘土家文化,倡导两性平等,并进一步促进社会的和谐进步、民族民间文化的繁荣与发展。

The song of crying marriage is the most unique part of the marriage customs of Tujia people. With the development of history, the song of crying marriage, which has constantly developed and formed the unique style of the local characteristics, has been inherited to date as well as become the crystallization of collective wisdom of Tujia women for thousands of years. Taking Tujia song of crying marriage in Yanhe Guizhou for instance, hatred of female image, full of resentment, in the Tujia song of crying marriage was an- alyzed, to highlight the emotion and a vision of a good marriage of Tujia women. Key words： Tujia, song of crying marriage; hatred of female image