摘要
《老子》作为中国文学的经典文本,其文学史意义为许多文学史著作所"遮蔽"。《老子》"翻案"法具有创作论和文学史的双重意义。与此同时,《老子》"翻案"法开创了一个被后世创作主体广泛接受的,在诗歌、散文、戏剧、小说等各类文体中普遍运用的文学传统。
As the classic texts of Chinese literature, Laozi is shadowed by many writings on literary history in terms of the literary significance. Laozi's Paradox has a double meaning containing creation theory and literary history. Meanwhile, Laozi's Paradox creates a literary tradition that is later widely accepted in poetry, prose, plays, novels and other types of writings.
出处
《宁波广播电视大学学报》
2014年第2期10-13,共4页
Journal of Ningbo Radio & TV University