基于科学认知的自律性诉求——汉斯立克自律论音乐美学思想探微

The Pursuit of Self-discipline based on Scientific Cognition ——on the Aesthetic Thoughts of Hanslick's Heteronomy on Music

最早从艺术批评和审美理论建构方面明确宣扬自律论美学思想者,当属德国音乐美学家爱德华·汉斯立克,他的著作《论音乐的美》激发了西方学者关于艺术审美的自律性与他律性的大辩论。但至今学界关于汉斯立克及其自律论音乐美学思想的认识,都倾向于他对以康德为代表的德国古典美学家的思想传承,绝少关注这一思想的形成与当时社会学科意识与知识学诉求之间的紧密关联。

The earliest thinker who advocated heteronomy aesthetics from the aspects of art criticism and the construction of aesthetic theory was German music aesthetician Eduard Hanslick and his The Beautiful in Music. It was his masterpiece aroused western scholars' debate on the aesthetic of the autonomy and heteronomy. But so far the understanding of academy about Hanslick and his heteronomy of the music aesthetics tend to his succession to Kant, who represented the German classical aesthetic thoughts, regard little to the correlation among forming of the thoughts, knowledge characteristics and self-discipline pursuit.