艺术民族志：一种方言性文化的诗学阐释--兼论艺术家的异文化写作：《诺阿·诺阿》

Art Ethnography as a Poetical Interpretation of Local Cultures,on the Writing of ‘Noa Noa' as the Case

本文旨在探讨艺术民族志的写作,努力将其问题化,并还原为三方面的疑问。其一,民族志写作的人文转向对艺术民族志写作的意义何在?结论是艺术能以更加诗意的文本形态进行艺术的深描。其二,艺术家进行人类学田野操作时,如何立于自身审美经验以对他者的文化及艺术语言,进行一种方言性1文化的诗学阐释?其三,这种诗学阐释的张力,如何在生活场与审美场之间,实现从本文到文本的间性互渗。同时,本文结合对高更的塔希提手记《诺阿·诺阿》的多元思考,言说了艺术家在人类学的异文化写作中,诗学阐释作为一种方法论的必要性。

The paper discusses the methodology of writing ethnography of art, focusing on three main aspects. First,what do the embers of humanity in the texts of ethnography mean to the writing of art ethnography? The answer lies on poetic narration, which could get a thick description of art. Secondly, how could the artists give a poetic interpretation of local cultures, based on their own aesthetic experience in the field research? Thirdly, how do the inner tensions of poetic narration bridge the gap between life and art so as to build an interactive relation of understanding and writing, trans-textuality and meta-textuality. Meanwhile, by analyzing 'Noa noa', the notes of Paul Gauguin in Tahiti, it appeals a necessity of adopting the method as a discipline on writing of alien culture.