穆旦写作与中国古典诗学资源传承的新局势

New Situation of Mu Dan's Literary Creation and Inheritance of Chinese Classic Poetics

穆旦成长于一个"新与旧"亟待重新"适应"的时代,时代语境之中关于"新"与"旧"的协商、"传统"之于写作者的历史效力等因素构成了某种潜在的力量,暗中修正着穆旦的写作:穆旦写作带有明显的"非中国化"特征,但以杜甫、陶渊明等为代表的传统文学形象与诗学资源始终潜藏于其内心之中,在不同人生阶段,通过不同样式呈现出来。这显示了中国新诗写作发展到这一时期,在古典诗学资源传承命题上的新局势,即随着时代生活的新变,个人成长背景的潜移,古典文学资源之于写作的效应不再是直接施予,而是沉潜为某种精神性的背景。此种发掘,有助于更好地窥见穆旦那一代人的历史境遇与诗学冲动,同时,也能为理解新诗与古典诗学传统的关系提供一个新的视角。

Mu Dan was horn in an era with urgent need for ＂adaptations＂ of ＂the old＂ to ＂the new＂, the consultation between ＂the new＂ and ＂the old＂ in the context of the times, the historical effect of tradition upon writers, etc. having formed some kind of latent power to add amendment to his creative writings. Mu Dan＇s style is featured with ＂non-Chineseness＂, with the traditional literary images of Tu Fu, Tao Yuanming etc. and poetic assets hidden in his heart, which presented in various forms during different stages of his life. This is a demonstration that during this stage of development of Chinese New Poetry creation, new situation occurred as regards the proposition of Classical poetic asset,that is, with the changes of times, and with the creeping flow of personal growth background, the effect of Classical literary asset upon personal creative writing is no longer in a direct form, but .submerged in the spiritual level. With this view, we can better detect the historical circumstances and poetic impulse of the generation of Mu Dan, and meanwhile opening up a new perspective to perceive the relationship between New Poetry and the Classical poetic tradition.