现代视觉感知及其图式特点

Modern Visual Perception and Its Nature of “Schema”

视觉感知总是建立在特定的主观性基础上的,这个主观性的基础是触觉经验。这就使得视觉感知总是与感性活动相随。传统视觉图式由于建基于三维透视,因此,引发的视觉感知与日常相似,是一种从感性出发,进而由各种先在的如观念、想象等非视觉因素统摄的意义感知活动;现代图式通过对日常图像的突破和间离,将非视觉因素从意义感知中清除了出去,使得意义感知只是专注于视看,即当下的看。这就呈现出完全不同于传统的感性化、媒介化和消费化特点。这些建基于官能活动的特点使现代视觉呈现出一个深层的悖论:表面上,个体性因素在现代视觉感知中得到了推崇,但这凸现出的个体性其实并不是视看个体特有的,而是人间共有的。这是专注于官能性感知活动的现代视觉,乃至整个现代精神生活陷入了的一个悖论。

Modem visual perception is based on personality that origins from haptic experience. This haptic experience connects visual experience and sensation. Based on three-dimensional per- spective, traditional visual schema triggers visual sensation which closes to daily lives. This kind of sensation starts from sensational organs, and combines with preexistent ideas and imaginations which are dominated by non-visual sensations. Modem schema separated daily lives and visual experience. It vacuums non-visual sensations from the process of seeing, and leaves visual sensations alone. This helps visual experience focus on ＂seeing＂ ： seeing at the moment, and present features different from traditional sensationalization , mediumlization and commercialization. Modem visual perception and its feature of sensationalization spark a profound dilemma： apparently, individualism weights heavily in modem visual perception, but instead of owning this individualism personally, this individualism is shared by the species as human being. This dilemma can be traced from its feature of focusing on sensational perception, and even from the entire modem spirits.