晚明题跋分类与文体观念的呈现——以晚明三部重要选本为中心

Analysis of The Stylistic Conception of Postscript in Late Ming Dynasty——Centering on Three Anthologies in Late Ming Dynasty

晚明具有代表性的小品文选本《明人小品十六家》《文致》与《文章辨体汇选》等,题跋选辑各有风姿,体现题跋文体的包容性和文体观念的开放性特点。晚明时期的文人所秉承的散文观念,与五四以来以"小品文"为特征的现代散文观念之间存在一定裂痕,在进行中国古代散文研究中,不应简单地以文学、非文学的标准进行分割,应该从广义地文章观的角度进行具体分析。只有运用多样化的研究方法,才能尽量客观、真实地还原文体发展与文学观念通变的面貌。

The thesis conducts a statistical analysis of postscripts in Ming Dynasty which chosen by the three important anthologies, Essays of Sixteen Famous Writers in Ming Dynasty, Wen Zhi and Articles Selection for Distinguishing Styles.The statistics reflect the inclusiveness of Ming postscripts and the diversity of the selectors ’ stylistic conceptions.According to the selectors’ conceptions, the Ming postscripts in the three anthologies can be divided into four types .The stylistic features and functions of Ming post-scripts can be found out, and the method of researching on prose can be reviewed and revised by discussion.