摘要
"戏剧"一词,唐代杜牧以其表"游戏"之意,涵义较为宽泛。随着戏曲的发展,"戏剧"逐渐成为一个曲学概念。元代曲学家甚少使用"戏剧"这个概念,但对戏曲的特点已有初步的判断,注意到唱、念、诨、故事诸因素。明清两代曲学家对"戏剧"这一概念的使用频率大为增加,其中明代曲学家对"戏剧"的认知已充分把握了中国古代戏曲的特点。元明清三代曲学家对"戏剧"特点的论述体现了中国戏曲发展的轨迹,与戏曲发展的阶段性面貌紧密相关。
The word of 'Xiju' was used by Dumu in Tang dynasty to express the meaning of the game and its meaning was broad. With the development of drama, 'Xiju' gradually became a concept in ancient Chinese opera. The drama scholars in Yuan dynasty seldom used 'Xiju' concept, but they had a preliminary judgment on drama's features and noticed the elements including singing,reading, humor and story. In Ming and Qing dynasties, the drama scholars' frequency of using'Xiju' was rising dramatically. Especially in Ming dynasty, the drama scholars' awareness of 'Xiju' took full advantages of the characteristics of ancient Chinese drama. The discussion of the drama scholars in Yuan, Ming and Qing dynasties on the characteristics of 'Xiju' also reflects the trajectory of Chinese drama's development, and that was closely associated with the stage appearance of ancient Chinese opera's development.
出处
《中国高校社会科学》
CSSCI
北大核心
2014年第4期100-108,159,共9页
Social Sciences in Chinese Higher Education Institutions
