摘要
谢灵运和孟浩然同为山水诗派的代表人物。二人的山水诗创作中,孟浩然继承了谢灵运的山水诗创作,将浓厚的故乡情结寄寓山水诗中,表达了相同的政治理想。但是二者的山水诗在创作风格方面和表达归隐时的思想情感方面有差异。从丹纳《艺术哲学》三要素的角度而言,二者山水诗的异同受时代、种族、环境的影响。
Xie Lingyun and Meng Haoran are representatives of the landscape poets, although the latter developed the former's poetic style by expressing their strong affection and deep memory of their hometown through poems. Both poets expressed the same political ideals. But they differed in creating style and in ways of expressing their emotion of returning to their native places. Xie's emotions expression is dominated by landscape, although he was good at the description of the scenery, his emotion was incorporated into the scenery of the poem. Meng's scenery countryside poems also have the expression of emotion, but diluted and subjective emotion is not obviously felt. In terms of Danner's three elements of Lectures on Art, the two styles were influenced by different ages ,different races and environment they lived in.
出处
《广东技术师范学院学报》
2014年第8期123-129,102,共8页
Journal of Guangdong Polytechnic Normal University
关键词
谢灵运
孟浩然
时代
种族
环境
Xie Lingyun
Meng Haoran
age
race
environment