摘要
威尼斯双年展一直是艺术界的权力制高点;去拆解威尼斯神话是为打破文化上的"一神论";《心·跳》展的策划始末和在境外的矛盾协调;回国后的《心·跳—北京》展在策划理念和作品实施上的转换;艺术对于人、对于时代的意义。
All the time, Venice Biennale is the commanding heights of power in art circle.Decode the Venice myth, for break cultural monotheism.The planning process of "Mind.Beating" and to mediate quarrel overseas.The change of concept and artwork in "Mind.Beating Beijing"The value of art for people and time.
出处
《艺术设计研究》
CSSCI
2014年第2期56-59,共4页
Art & Design Research