摘要
艺术自律和审美现代性从争取自身存在的合法性地位开始,最终使得主体以感性的能力通达生存的价值追求和意义体验,但是伴随着整个社会思想文化的发展,艺术自律最终也面临着内部和外部的双重危机。现代派艺术自身的危机和后现代文化语境促使了后现代艺术的出现与转型,波普艺术、观念艺术、装置艺术、大地艺术、行为艺术等则是将艺术的反叛性、生活性和观念性发挥至极致,并且在美学领域与生活相结合,适应了后现代的文化景观,其建构起的主体化自由审美体验也给复杂的中国艺术和美学理论注入了强大的活力,并且以全球化普世性的维度影响了中国本土的言说方式,同时也给真诚生活的人们以建构历史的自由。
The self-discipline of art and aesthetic modernity from the legitimacy of the own existence status, eventually making subject to perceptual ability to access the value pursuit of survival and experience, but with the development of society and culture, art discipline finally faces the dual crisis of the internal and external. From the inside, the self-discipline of art becomes the elite words from civilian class to the masses, its ability to intervene reality gradually crumbling; From the outside, the artistic self-discipline interconnected "golden cord" relationship with the capital market, eventually split in avant-garde art. Crisis of modern art itself and the postmodern cultural context prompted the transformation and the emergence of post-modern art, pop art, concept art, installation art, land art, behavior art, and so on. They had liberated art of rebellion, sex life and i- deas, and in the field of aesthetics and the combination of life, adapting to the postmodern cultural landscape. On the one hand, the construction of life aesthetics had enhanced the aesthetic universality discourse, on the other hand, it adapts to the sincere people to construct the freedom history.
出处
《浙江工商大学学报》
CSSCI
2014年第4期28-36,共9页
Journal of Zhejiang Gongshang University
基金
国家社会科学基金项目"文化现代性视域中的艺术自律问题研究"(10BZW002)
中央高校基本科研业务费专项资金资助"武汉大学博士自主科研项目:空间转向与后现代审美经验"(2013111010201)
关键词
艺术自律
终结
现代性
后现代主义
生活美学
artistic self-discipline
come to an end
Modernity
Postmodernism
Life aesthetics