明代唐诗选本中“以盛唐为楷式”之现象研究

Study on the Phenomena of Taking the Prime-Tang Poetry as a Paradigm in Anthologies of Ming Dynasty

明初林鸿论诗首倡以盛唐为"楷式"。后高棅将这种主张引入唐诗编选中,标示了明代唐诗选本发展的基本方向。虽然曾一度有选家反对这种"楷式",而竞相为选。但是,选本中"以盛唐为楷式"毕竟是当时的主流趋势。之所以出现这种选诗倾向,则同明代复古派论家基于文章与时高下的论调而建构起来的唐代诗歌史有密切关系。这种楷式最终确立于嘉靖中,并在发展过程中表现出两种具体特征:即以"李杜"为中心的极则楷式与以初、盛唐名家为中心的名家楷式。其"以盛唐为楷式"的终极目的则在于:径直接续盛唐诗歌成就,续写一种经典诗歌史。

In the early Ming Dynasty,LinHong put forward an idea of taking the poetry of the Prime-Tang Dynasty as a paradigm. Later,this idea was introduced into the compiling of anthologies by GaoBing, marking the basic direction of anthologies' development in the Ming Dynasty.The emergence of this tendency is not accidental,it is closely related to the history of the Tang Dynasty poetry which it has been built by classicists based on a tone of article with the ups and downs of the times. This paradigm finally established in the period of JiaJing and showed two specific features in the process of development,one is super paradigm centered around LiBai and DuFu,the other is celebrity paradigm centered around some famous poets in the early and Prime-Tang Dynasty. Their ultimate goal is inheriting the poetry achievement in the Prime-Tang Dynasty and continuing a history of classical poetry.