意识形态、审美体验与话语分析

Ideology,Aesthetic Experience and Discourse Analysis

作为虚拟的社会氛围,意识形态环境绝非铁板一块,而是交织着多重声音且充满了协商与冲突。文艺是意识形态家族意义生产中的重要一员,因此,必须在整体的文化内涵中界定其审美特质,辨识它与意识形态其他成员之间的复杂关联。受浪漫主义及康德美学的深远影响,审美无功利性长期被视为抵抗异化的先锋。随着经济的发展,审美体验愈加成为推动工业发展的巨大动力,它在打破意义陈规锁链的同时也引发了一系列严峻的问题。无论所谓的纯文艺,还是更广泛意义上的大众文化,话语分析都是剖析其中审美体验与意识形态建构之间多维关系的利器。

As the virtual social atmosphere, ideological environment cannot be a monolithic whole, but intertwined with multiple voices and full of negotiation and conflict. Literature is an important part of the significance production of ideological family, therefore, it must define its aesthetic qualities in the overall cultural connotation, identify the complicated relationships between it and other members of ideology. Profoundly influenced by Romanticism and Kant＇ s aesthetics, aesthetic disinterestedness has long been regarded as the pioneer of alienation resistance. With the development of economy, the aesthetic experience has increasingly become the great power to promote industrial development; it has also caused a series of serious problems in breaking the chains of meaning stereotypes. Whether it is the so - called pure - literature or popular culture in a broader sense, discourse analysis is an edge tool to examine the multi -dimensional relationships between aesthetic experience and ideology construction.