以道家美学的眼光看山水审美——以宋代山水画为例

With Taoists Aesthetic Theories to Landscape Aesthetic,Take Landscape Painting of Song Dynasty for Example

中国传统美学思想以其丰富的内涵深深地影响着山水审美。本文以道家美学的审美角度,探讨宋代山水画的审美问题。在道家美学的影响之下,宋代山水画的审美取向和价值自然而然地表现出与"道"契合的意趣,以李成、郭熙、范宽、马远等宋代著名山水画家为例,结合山水审美的三个层次:"悦形"、"怡情"和"畅神",阐释道家美学对山水审美在宋代画家的思维方式、画家的终极精神追求两大方面的影响。

The rich and resourceful traditional Chinese aesthetics exercises profound influence on the appreciation of landscape painting. This article attempts to explore the aesthetic appreciateon of landscape painting in Song Dynasty from the perspective of Taoist aesthetics. Under the influence of Taoist philosophy, the aesthetic of landscape painting in Song Dynasty expresse the preference and value is up to standard of Taoist aesthetics. Take the Song Dynasty famous landscape painter, such as Lee cheng, Kuo Hsi, Fan K＇uan, Ma Yuan as examples, combining the three levels of Landscape Aesthetic which is ＂Yuexing＂ ,＂ Yiqing＂,＂ Chang-sheng＂, in order to discusses Taoists aesthetic theories how to influence landscape aesthetic in the way of thinking and the ultimate spiritual pursuit of landscape painter of Song Dynasty.