屈原《九歌》创作新探

A New Exploration into the Specific Creation Situation of Qu Yuan's Nine Songs

通过探究《九歌》的性质、屈原在怀王朝的任职、《九歌》内在系统存在的矛盾及屈原与《九歌》的关系等问题,我们认为,《九歌》为屈原任三闾大夫时所作。这些作品作为一个整体并非作于一时一地,其祭天神、地祇的九篇为屈原初仕怀王时依据民间祭歌所加工整理的国家祀典,《国殇》《礼魂》则是丹阳、蓝田大战后屈原再次被起用以三闾大夫身份所作祭奠两次大战中阵亡将士的祭歌,后来二者合流,最终形成现在我们所看到的《九歌》。

Through inquiry of the nature of Nine Songs,the officeholding of Qu Yuan in Huaiwang Dynasty,the existing system of internal contradictions in Nine Songs and the relationship between Qu Yuan and Nine Songs,we found that Nine Songs was written during Qu Yuan was in the office of Sanlv Dafu. Nine Songs as a whole did not make for a time. The works about the worship of heaven God were based on folk songs. National Martyr and Ceremony of Soul were written after the Danyang and Lantian wars,and they were regarded as the sacrifice songs for the soldiers who died in the wars. Afterwards,these two works were combined to form Nine Songs.