摘要
在水墨形态的新疆山水画出现之前,几千年的新疆风景风物,或以史籍记述,或以诗歌吟颂,以岩画壁画的事件背景,或宫廷绘画和西画民俗题材的样式展现于出现;新疆山水风情以被中原民众所熟悉接受的途径和新疆地域美术演进的双重路径迁延至二十世纪三、四十年代一批热衷于西北风情的画家那里,初露端倪。
Before the emergence of Xinjiang landscape painting in the appearance of ink painting, Xinjiang sceneries were represented for thousands of years through being recorded in historical books, sung in poems, painted as event background in rock paintings and cave paintings, painted in court paintings or western paintings with a folk theme; flirtatious expressions of Xinjiang landscape extended to a group of artists who were fond of north-west flirtatious expressions in 1930 s and 1940 s through two paths: one was familiar and accepted by people in Central Plains and the other was of the local art evolution in Xinjiang, and took its shape.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2014年第4期29-38,7,共10页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
新疆山水画
岩画
洞窟壁画
唐诗意象
Xinjiang landscape painting
the Classic of Mountains and Rivers
rock painting
cave painting
image of Tang poetry
North-west Investigation Group