摘要
中国画的发展与创新造就了一部丰富而细腻的绘画史,但是教科书的编写者却总是人为地掩饰这些历史的细节,而使得中国画创新的本质与发展常常被曲解。因此,分析与认清教科书编写的目的与功能是解除曲解的有效手段,从而获得一个较为接近事实的中国画史观。
The development and innovation of Chinese painting has made a rich and fine painting history, but the textbook authors always cover intentionally these historical details, and made the nature and development of Chinese painting often misunderstood. Thus, to analysis and make clear the aim and function of compiling textbooks is an efficient way to avoid misunderstandings, and to reach a historical idea of Chinese painting close to the facts.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2014年第4期85-89,8,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2012年度教育部人文社会科学研究一般项目<规范与创新:探究另一个中国画史观的存在>(12YJA760001)
关键词
教科书
中国画
创新本质
绘画规范
Textbook
painting
innovating nature
painting norm