王士祯“神韵说”意蕴的再考察

Reinvestigation on Implication of WANG Shi-zhen's“Verve Theory”

到了王渔洋时代,士人心中又逐渐横亘起尊唐与宗宋对垒的审美心理之障。王渔洋并不是象一般文学史家所定位的那样尊唐,而是在试图以自己的理论重新锁定唐宋诗人的价值。"神韵"一语从盛唐以来就一直被诗人学者所关切,宋、元、明、清各代学人均表现出对其内涵的揣测与充实。王渔洋毕其一生,一方面以其真情投入,一方面以其气势宏大,从而再造了神韵,以至于被后人称为"神韵说"。今天回过头来看他的理论有得有失,历史印迹宛然。

Up to Wang Yu-yang era, the scholars gradually raise the contradiction aesthetic psychological harrier of respecting Tang Dynasty and Song Dynasty. Wang Yu yang did not respect the Tang Dynasty as positioned by general literary historians. Actually, he just attempted to relock the value of the poets in the Tang and Song Dynasties. The term of ＂verve＂ has been concerned by the poets and scholars since the flourishing Tang Dynasty. All the scholars in the Dynasty of Song, Yuan, Ming and Qing performed their speculation and enrichment of the connotation. Wang Yu yang reproduced the verve in all his life by put ring his true feeling and imposing manner which was regarded as the verve theory. Today, when we look back on it, there are gains and losses and the historical print still existed.