1See James Woodress, "Wina Cather and History", in Arizona Quarterly, 34:3 (1978), p. 241.
2Janis P. Stout, "Autobiography as Journey in The Professor's House", in Studies in American Fiction, 19 : 2 ( 1991 ), p. 212.
3See Demaree C. Peck, The Imaginative Claims of the Artist in Willa Cather's Fiction, Sehnsgrove: Susquehanna University Press, 1996, p. 194.
4Matthew Lavin, "It's Mr. Reynolds Who Wishes It: Profit and Prestige Shared by Cather and Her Literary Agent", in Cather Studies 9, Lincoln: University of Nebraska Press, 2011, pp. 158 - 181.
5See Wina Cather, The Professor's House ( Scholarly Edition), Lincoln: University of Nebraska Press, 2002, p. 27, p. S9.
6See Frank Stricker, "American Professor in the Progressive Era: Incomes, Aspirations, and Professionalism", in The Journal oflnterdiscipliuary History, 19 : 2 ( 1988), p. 244.
7See Walter Benn Michaels, "The Vanishing American", in American Literary History, 2 : 2 ( 1990), p. 237.
8See Ian F. A. Bell, " Re-Writing America: Origin and Gender in Willa Cather's The Professor's House", in The Yearbook of English Studies, 24 ( 199,1), p. 17, p. 20.
9See Stuart Burrows, "Losing the Whole in the Parts : Identity in The Professor's House", in Arizona Quarterly, 64 : 4 pp. 21 -48.
10See Willa Cather, One of Ours, New York: Vintage Books, 1971, p. 46, p. 130.
