国民党的文化统制政策与《中国新文学大系》的诞生

The Culture Control Policy of KMT and the Born of Chinese New Literature

《中国新文学大系》(1917-1927)是赵家璧的重要编辑实绩。从民国法律形态与现代中国文学之关系这一角度来考察,我们可以发现,赵家璧编辑大系这一构想的诞生并非仅仅是其丛书编辑理想自然生长的结果,更是受到了国民党文化统制政策下的中国思想-文化界状况的触发;大系编选者角色的配搭与最终确定、各个角色之所以认可赵家璧的编辑动议,均与国民党图书杂志审查委员会的压迫密切相关;各编选者在选材、写导言等方面,对图书杂志审查委员会进行了不同程度、不同方式的反抗。大系复杂的编辑、出版过程,可见中国新文学开创史艰难的自我证明历程之一斑。

Chinese New Literature （1917-1927） is Zhao Jiabi＇s representative work in his editing career. From the relationship between the republican legal form and modern Chinese literature, we can see that Zhao Jiabi＇s idea about editing large system is not only the result of its series editor ideal, but also be touched off by the KMT cultural control policy; The determination of compilers of Chinese New Literature （1917-1927） and the reason of compilers determining to match are closely related to the oppression of the KMT books review committee; Each compilers＇ selection, writing the introduction of books is resistance of the KMT books review committee in different ways. From the complex editing and publishing process, we can see the tough self-certification of Chinese new literary history.