摘要
中国传统音乐美学研究因其历史和现实的特殊性,需要进行学理重建。要将研究的重心从古代理论转到传统音乐现象上来,着重考察传统音乐现象的特点及其形成背景;注意汲取现代学理元素,如分析精神、新方法以及对古代理论的现代阐释等;妥善处理阐释性与规律性、内涵逻辑与外延逻辑、互文性与独创性、实践性与认知性等关系。
Due to the historical and real uniqueness of studies on the Chinese traditional musical aesthetics it is necessary to rebuild its principles.We ought to shift the center of our research from the ancient theory to the outlook of the traditional music,concentrating on investigating its characteristics and background.We must also pay good attention to absorbing its modern theoretical elements such as new analytical methods and interpretation and properly treat the relationship between inner and outer logic,commonality and originality,and practical and cognitive aspects.
出处
《南京艺术学院学报(音乐与表演版)》
2014年第2期1-7,161,共7页
Journal of Nanjing Arts Institute:Music & Performance
关键词
学理
中国古代音乐美学
中国传统音乐美学
principle
ancient Chinese musical aesthetics
Chinese traditional musical aesthetics