皈依的悖论:1949-1951年间的政治运动与中国电影

Paradox of Conversion---Chinese Films during the Political Movements of 1949-1951

1949-1951年间的中国电影具有政治标本和文化标本的双重价值和含义,无论是国营厂还是私营厂出品的影片,都打上了某种特定时期的烙印,一种不仅是新旧文化、更是新旧政权更替的烙印。这主要体现在"反特"题材影片和"思想改造"题材的两类影片中。这两类题材在建国初的大量出现和同时期的两大政治运动有着直接的关联,既受其影响,也直接推动了运动的进一步展开,其间所反映出的艺术创作者的复杂心态颇值得玩味,而影片日后的命运更值得深思。

Films in the China's Mainland during the period of 1949-1951 have dual value and implication of political and cultural specimens.Whether produced by the government owned or private studios the films of that time were all branded with features of a special transitioning movement from old to new in terms of culture as well as regimes.This transition was mainly reflected in the spy and ideological remolding films which were directly associated with the political movements at the time.