《音乐研究》的“三部曲”——兼论陈荃有办刊创新思维的砥柱作用

Trilogy of Music Research——CHEN Quanyou's Creative Thoughts on Developing a Periodical

文章以音乐期刊社会作用导入,论述《音乐研究》自21世纪来"稳定""徘徊""登顶"之"三部曲",以及常务副主编陈荃有创新思维的办刊特色。该刊实现了由半政治、半学术刊物向纯学术刊物之转型,取得国内三大学术体系艺术学科均排名第一的优异成绩。写作目的在于强调编辑在办刊过程中的重要作用,提倡中国音乐期刊办刊风格的多元化与个性化,推动音乐期刊出版事业的繁荣与发展。

Taking music periodical＇ s social meaning as a pointcut, my paper discusses Music Research＇s ＂trilogy＂ of ＂stabilization,＂ ＂wandering,＂ and ＂peak,＂ as well as its administrative associate editor CHEN Quanyou＇ s creative thoughts. Music Research was transformed from a semi-political and semi-academic periodical to an academic one, and won a No. 1 in three domestic academic systems of art disciplines. My paper diseusses the significance of editor in the process of developing a periodical, and advocates pluralism and individualism in developing a Chinese music periodical.