语言观脉络中的中国当代诗歌

Chinese Contemporary Poetry Under the Linguistic Views

朦胧诗奠定了接受西方"语言学转向"思想的文学基础,20世纪西方哲学思想界的泛语言化氛围中的三条脉络,与重新发现的中国传统语言观一起,对当代诗歌产生了重要影响。当代诗人在写作中直接与语言搏斗,把语言的媒介性提升为发明性,直至建立一种语言的发现观,表明当代诗歌已经完成语言工具论向本体论的转变。语言本体论的要义在于语言与人的循环关系,而当代诗歌中的语言有"他性的自主"倾向,表现为"语言的历险",一方面创造出新的具有延展性或多维的映射性的隐喻形式,一方面也暴露出当代诗歌内在的虚弱,由此产生的诗歌"虚无化"应当警惕。

＂Menglong poetry＂ has layed the foundation that we can accept the western thoughts oflinguistic turn in literature. The three strands of extensive linguistic turn in western philosophical and ide-ological areas in 20th Century, together with rediscovery of Chinese traditional linguistic views, have animportant influence on the contemporary poetry. Poets battle with language in writing, and promote themedia of language to inventive language, finally establish a view of language discovery which can indicatethat the contemporary poetry has completed the turn of language instrumentalism to language ontology.The essence of language ontology consists in circulating in the relationship between language and human,but there is inclination of autonomy of the other as ＂language adventure＂ in the contemporary poetry lan-guage, which has created extensive and multi-dimensional mapping metaphors with a new form, but hasalso exposed the weakness of contemporary poetry. We should be on guard against poetic nihility.