摘要
《红楼梦》中"宝玉哭灵"这一情节对塑造宝玉性格有着很大的作用,通过简洁概括的语言表达了宝玉的伤心欲绝,但高鹗的续书表达相对简单,不够精彩;越剧和黄梅戏则通过唱腔唱词,传达了宝玉对黛玉至死不渝的爱情,以及他对世俗的怨恨和叛逆;1977年版的电影《金玉良缘红楼梦》,侧重彰显其叛逆性格,表达悲怨心声;1989年版由谢铁骊改编的长篇电影《红楼》与两个电视剧版本,对这一情节的演绎比较简单。相比之下,戏曲版本的诠释较为成功和精彩。
In ＂A Dream of Red Mansion＂, ＂Baoyu＇s Mouning for Daiyu＂ makes great part in shaping Baoyu＇ s characterization. His inconsolable sadness is expressed briefly. GAO E＇ s squel was too simple. Comparatively,the tradition Chinese opera versions conveyed stronger emotion,expressing Baoyu＇ s ever-lasting love to Daiyu and his hatred and rebel to the society. The movie version in 1977 highlighted Baoyu＇ s rebelling characters while the movie in 1989,along with two versions of TV plays,did not treat it seriously. It is believed in this analysis that the opera versions are more successful.
出处
《哈尔滨学院学报》
2014年第8期65-69,共5页
Journal of Harbin University
关键词
“宝玉哭灵”
情节
小说
戏曲
电影
电视剧
“Baoyu ＇ s Mourning for Daiyu”
plot
tradition Chinese opera
movie
TV play
