藏传佛教音乐与《格萨尔》史诗唱腔之渊源考析

Analysis about the Source of Buddhist Music and Ways of Singing of《Gesar》

本文依据藏传佛教文献中佛教音乐的相关记载,借助其宗教音乐理论进行初步考证,结合史诗唱腔中所运用到的佛教音乐理论和史诗曲调中的佛教观点,对《格萨尔》唱腔与藏传佛教音乐之渊源,进行了辨析和梳理,进一步提出藏传佛教音乐和《格萨尔》史诗唱腔在发展过程中,存在一定渊源关系。

Based on some Buddhist music recorded in some relevant Tibetan Buddhist documents, the primary analysis was made with religious music theory and Buddhist views from melody in epic, the paper distinguished and combed the source of Buddhist music and ways of singing of Gesai, and proposed the idea that they two had some relations in the process of development.