明清水陆画所绘之染织纹样研究

Research of Textile Pattern in Water-and-Land Painting in Ming and Qing Dynasties

水陆画是在水陆法会中使用的绘有佛、儒、道三教人物的宗教绘画。中国水陆画主要分布于北京、山西等地。文章以106幅首都博物馆藏明清水陆画及136幅宝宁寺明代水陆画为研究对象,着重对其所绘之染织纹样的装饰部位、装饰题材、纹样风格进行了归纳分析,并对部分常见纹样进行复原整理。研究认为:明清水陆画中所绘之染织纹样具有装饰繁缛、题材丰富、色彩富丽、装饰部位多样等特征,同时与同时代实物对照,具有相当强度的真实性,并受世俗染织纹样影响明显。

Water-and-Land Painting is a kind of religious painting that painted characters of Buddhism,Confucianism and Taoism.Water-and-Land Paintings in China are distributed mainly in Beijing and Shanxi et al.The article focuses on 106 Water-and-Land paintings in Ming and Qing dynasties which are collected by Beijing Capital Museum,and 136 Water-and-Land paintings of Ming dynasty in Baoning Temple.This paper particularly summarizes and analyzes the decorative part,theme and style of textile patterns.Meanwhile,it restores and arranges some common patterns.It is considered that the textile patterns in water-and-land paintings are variegated in decoration,rich in subject,gorgeous in color,and diversified in their functions of decoration,which are of high authenticity when compared with the entities at that time.They are largely affected by the earthly textile patterns.