有契于心:袁燮文艺思想之精神内核

Corresponding with Heart: the Spiritual Core of Yuan Xie's Literatural and Artical Thoughts

袁燮文艺观的形成源于其心学思想。在文艺审美旨趣上,他推崇浑然天成之美境。为达到此种境界,袁燮提出"有契于心"的创作理念,并延伸出书以传心与画以写心的艺术命题。而且"有契于心"也是袁燮的鉴赏理念,他认为观者之于书画重点应在体悟省察作者之道心,从而使自己之本心有所感发。因此,他十分重视文艺创作主体之心性修养,认为这是使文艺作品"有契于心"的根源,也是诗书画是否具有宝藏价值的决定因素。

Yuan Xie’s view on literature and art originated in his mind studies. On the Literature aesthetic, he admired the beauty like nature itself. To achieve such a state, Yuan Xie put forward the creative ideas of“corresponding with heart”, and extends the art proposition such as calligraphy can communicate heart and paint should write the heart. And“corresponding with heart”is also his appreciation of ideas, he thought that the viewer should focus on understanding the writer’s heart of his calligraphy and painting, so that the viewer can be deeply moved. Therefore, he attached great importance to writer’s cultivation of the mind, thought of this as the ideological root-cause of“corresponding with heart”, and also a determining factor of the value of literary and artistic works.