摘要
"气韵"这一理念,最初是作为"气"与"韵"两个不同的概念而分别独立存在于哲学领域。随后"气韵"从哲学领域被引入艺术领域。"气韵"在中国传统文化和美学思想中占有十分重要的位置,它是中国传统文化艺术精神的生命。"气韵"与文学翻译活动同样密不可分。将中国传统艺术的"气韵"理念与文学翻译观相结合,是我国20世纪翻译思想史中一个独特的现象。文学翻译者应努力再现原作"文我为一"的生动气韵。
The artistic conception was first derived from two different conceptions of‘Qi＇and‘Yun＇exited separately in philosophy.Later it was introduced into the field of art and became the soul of Chinese traditional culture and aesthetic ideology.The artistic conception is inseparable from literary translation activities.To combine the artistic conception with literary translation theory is a unique phenomenon of Chinese translation thoughts in the 20 th century..Literary translator should reproduce the vivid artistic atmosphere of the original work.
出处
《运城学院学报》
2014年第4期80-83,共4页
Journal of Yuncheng University
关键词
气韵
文学翻译
艺术创作
生命
审美
the artistic conception
literature translation
artistic translation
soul
aesthetic
