摘要
《蝴蝶君》呈现的是不对称的话语权,其主人公加利马尔的话语权被一个有着女气的东方男性宋丽玲所剥夺。西方对东方单一角度的误读与宋丽玲对东西方的深思是不对称的。《蝴蝶夫人》中爱情的单线性模式与《蝴蝶君》中爱情的多线性模式是不对称的。
M.Butterfly presents asymmetrical discourse powers, and the protagonist,Gallimard, is deprived of the discourse power by an Oriental male with anima, Song Liling. The one-angle misreading toward the Orient from the Occident and the deep thinking of both the Orient and the Occident are asymmetrical. The single-line love pattern in Madame Butterfly and the multi-line love pattern in M. Butterfly are asymmetrical.
出处
《红河学院学报》
2014年第4期86-89,共4页
Journal of Honghe University
