摘要
人类学与民族学是从国外引进的,迄今已近百年。引进的路径有二,其一是从欧美直接引入,其二是经过日本媒介间接引入。人类学原生语境里,他者与人类、民族志与文化理论、具体与一般,它们的平行与交叉构成学科的基本形式。本文透过对中国人类学电影开山作品的解读,展开"你我"这一具体的、民族志的视阈,进而提出一种学科基本形式更新的可能性,即你我与人类、民族志与文化理论、具体与一般,它们的平行与交叉。
Anthropology and ethnology were introduced into China over 100 years ago through two ways: directly from Western countries and indirectly from Japan. In the native context of anthropology, its basic form is established on the parallel and crossed relationships between other and human, ethnography and cultural theory, as well as generality and specificity. This paper is intended to interpret the pioneer work of Chinese anthropology film from the specific and ethnographical perspective of "you and me" and set up a new form of the discipline, that is, the parallel and crossed relationships between "you and me" and human, ethnography and cultural theory, as well as generality and specificity.
出处
《中央民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第5期72-81,共10页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
中国社会科学院"社区建设与集成社会管理创新研究"创新工程课题
关键词
你我
他者
人类学电影
兄弟之道
you and me
other
anthropology film
brotherhood