儿童视野里的家庭新英雄——丁玲《母亲》的辛亥革命叙事

Family's New Hero in Children's Perspective——Narrative of the 1911 Revolution in Dingling's Mother

丁玲的《母亲》以辛亥革命为背景,讲述了一个传统女性在革命的辐射下完成现代转型的故事。这种对现代性转型的言说主要体现在三个方面:首先是男性的缺席,即宣告封建权威力量的名存实亡。其次是女性的站立,通过物质层面与土地割离从而走向城市、生理层面通过"放脚"获得健康的身体、精神层面转变为倾向革命的知识女性,从而完成了一场具有象征意义的破壳之役。最后是母亲角色的现代性建构,从老者本位到儿童本位的现代观念的自觉转变。小说用儿童视角让辛亥革命呈现出了冲淡的、陌生化的、画外音式的审美特征。

The Background of Dingling＇ s Mother was the 1911 Revolution. It tells a story of a traditional female who achieved a modern transformation under the radiation of revolution. This narrative of modernity transformation embodied in three levels： first, the absence of male proclaims the power of feudal authority is only existed in name; second, the female stands on her own feet, who complete this symbolic hatched cam- paign through three aspects： Materially, they are urbanizing via separation from land; Physically, via ＂free - feet＂ to get a healthy body; Spiritually, they turn into educated female who tend towards revolution. Finally is the modernity construction of mother＇ s role, a consciously transformation with modern notions from elder＇ s standard to children＇ s standard. Using a children＇ s view, the novel presents the 1911 Revolution with a diluent, estranged aesthetic features of narratage.